Notes on Columbia Pictures Corporation 1926-41 / Edward Buscombe - How Howard Hanks brought Baby up : an apologia for the studio system / Richard B. Brian Neve: Hollywood and Politics in the 1940s And 1950s 24.Includes bibliographical references (p. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification 23. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound22. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry 20. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation Part IV: Postwar Hollywood and the end of the studio system, 1946-66 19. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era 18. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography17.
Kathryn Kalinak: The Classical Hollywood Film Score. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s 15. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood 14. Tino Balio: Selling Stars: The Economic Imperative Part III: Representation, technology, production and style, 1926-46 13. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset12.
Thomas Schatz: Hollywood: The Triumph of the Studio System. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version 9.
Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry 8. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s Part II: Sound and the studio system, 1926-46 7. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking6. Kristin Thompson: The Limits of Experimentation in Hollywood. Richard Koszarski: Making Movies, 1915-28 4. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s 3. Patrick Keating: Prologue: Emotional Curves and Linear Narratives Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26 2. Front Cover The Classical Hollywood Reader Copyright Page Contents List of illustrations Notes on contributors Acknowledgements Permissions Steve Neale: Introduction 1.
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